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And then, it becomes a story about how these artists are in reality overrun by a real zombie threat. Which – believe it or not – isn’t the final twist in One Cut of the Dead, a rollicking comedy that retains viewers on their toes by continuously divulging new layers of reality. More importantly, that revelation repositions the material’s focus onto the art of moviemaking itself, and the myriad complications – attributable to temperamental actors, budget constraints and unforeseen delays and obstacles – widespread to the process. Gavin O’Conner (Miracle, Warrior) is modern cinema’s preeminent sports-drama director, a standing he maintains with The Way Back, a standard however deeply felt story about dependancy, anger and the rough highway of rehabilitation. By technique of a job teaching his Catholic alma matter’s struggling staff, Jack is blessed with a shot at salvation, turning around the fortunes of his gamers and, by extension, … Read More